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This applies to the European Union and those countries with a copyright term of 70 years after the work was made available to the public and the author never disclosed their identity.

The key lies in how Peele deftly unfolds the plot, which starts out like an updated version of "Guess Who's Coming to Dinner" a half-century later and morphs into what resembles a good feature-length episode of "Black Mirror" or "The Twilight Zone." At first, Chris might even be guilty of paranoia, as Rose assures him her parents are simply kind of lame.

Peele nicely offsets the growing tension with comedy via Chris' friend Rod (Montel "Lil Rel" Howery of NBC's "The Carmichael Show"), a TSA agent with mild delusions of grandeur, who keeps warning his pal that not much good can come from meeting Rose's folks.

But while the exhibit starts at the beginning of Ai’s legal troubles, the photos on display date back to his time as a young man.

“He has been photographing himself since he was in his early 20s, when he moved to New York.

At only 21, Danny Lyon emerged from the University of Chicago in 1963 with a B. in History and plunged right into the turbulent maelstrom of the time—marching against segregation and photographing the civil rights movement as staff photographer for SNCC (Student Nonviolent Coordinating Committee).

He was in a jail cell next to (and photographed) Martin Luther King.

Mostly in black and white, his compositions are riveting in their seeming simplicity, directness and an engrossing, compelling sense of connection.

He wrote, in the introduction to his “heralded the arrival of a new, more personal form of documentary photography that would influence a generation of photographers including Larry Clark and Nan Goldin,” to quote Etherton’s press release.

An exhibit at Columbia College’s Museum of Contemporary Photography showcases Ai’s work, and shows how he brings together art, activism – and selfies.

The first and largest image in the exhibit “#Ai Weiwei” is Ai’s own face – a striking photograph taken during a 2009 arrest, after he spoke out about children killed during an earthquake because of poorly constructed schools. You can see the police in the picture, it’s a flash in the elevator of his hotel that they were taking him down in.

The performances are uniformly good, especially in the blank-eyed, unsettling stares from the African Americans that Chris encounters.